Whatever you do, don’t start reading Olga Tokarczuk’s “Flights” expecting to encounter a conventional novel – because you won’t. It is a fragmented, meandering creation with dozens of vignette’s nestling against each other, sometimes in a logical progression – but mostly not. Some of these are as long as twelve or more pages, the majority… Read More “Flights”
Part-travelogue, part-art history, part-personal reflection, Hisham Matar’s “A Month in Siena” could easily be seen as something of an antidote if you have been reading too much fiction and are seeking something different just to break things up. Indeed, in a way that is how Matar sees his trip to Italy; an opportunity to fill-in… Read More “A Month in Siena”
There is something about Bellow’s first person narrator / observer which draws you into “Ravelstein”; it seems to me that you are both ‘inside’ and ‘outside’ simultaneously. This elongated pen-picture of Ravelstein, laid out by his close friend Chick, is undoubtedly all sorts of things: colourful, expansive, amusing, ironic, submissive… Indeed, the list of adjectives… Read More “Ravelstein”
You could be forgiven for wanting to stop reading Marlon James’ “John Crow’s Devil” fairly early on into the book. If so, it will be the Jamaican patois that will most likely get you. But my advice is to persevere. Try and get a ‘voice’ in your head against which you can process the language… Read More “John Crow’s Devil”
Olga Tokarczuk’s “Primeval and Other Times” is simply stunning; a plethora of literary squares woven together to make a quilt that lays bare what it means to be human. Unvarnished, all of life is here: the tragic, the mystical, the sad, the violent, the superstitious, the unavoidable. And – ultimately – the powerlessness. It seems… Read More “Primeval and Other Times”
I have to say that I’m not really sure how Sophie Ward’s “Love and Other Thought Experiments” made it to the 2020 Booker Prize longlist. Perhaps they were seduced by the surreal nature of the narrative, both its timeline and how it shifts through different versions of reality. Perhaps they were recognising the quality of… Read More “Love and Other Thought Experiments”
To call Ernest Heminway’s “The Snows of Kilimanjaro” a collection of short stories is a mis-labelling. Indeed, it could be argued that very few of the eighteen tales within the book qualify as a ‘short story’. Many are very short – almost vignettes – and a number, which all centre around the same character –… Read More “The Snows of Kilimanjaro”
If his “Selected Poems” (Ed. Peter Porter) is anything to go by, Lawrence Durrell’s poetry has not travelled well through time. Whilst they may have been stylistically appropriate for the 30s and 40s, I fear that do not sit well in the twenty-first century. Many seem contrived and clumsy, with (sometimes inconsistent) rhyming schemes shoe-horned… Read More “Selected Poems” – Lawrence Durrell
On one level it’s really difficult to ‘like’ Saul Bellow’s “Seize the Day”. This isn’t because the book is badly written – quite the opposite! – but rather because of Tommy Wilhelm, its main character. Bellow has succeeded in drawing for us a remarkable picture of a serial loser, one with whom it is difficult… Read More “Seize the Day”
Andrew Motion’s “Randomly Moving Particles” is, in many ways, a quite remarkable tour de force of free verse; indeed, it is so ‘free’ that I am reminded of the narrative qualities of Robin Robertson’s award-winning “The Long Take”. Nowhere is the power of his work more in evidence than in ‘How Do the Dead Walk’,… Read More “Randomly Moving Particles”
Usually I really like Philip Roth’s work, but I’m afraid “Portnoy’s Complaint” didn’t quite hit the spot. Written as one huge monologue, the language used – relaxed, conversational – certainly fits the bill; and having been promised something explosively funny, there were undeniably ‘laugh out loud’ moments. Having said that, however, the book poses a… Read More “Portnoy’s Complaint”
As a writer and Indie Publisher I am always grateful that my distributor and the Nielsen book registration service have direct feeds into major on-line retailers. This facility means that, as soon as a book is published, it usually appears on global websites within 24-48 hours. However, what appears is only as good as the… Read More Why you shouldn’t believe everything an Amazon page says about a book…
I hesitated before deciding to read Anthony Doerr’s “About Grace”; the blurb on the back cover suggested a novel that explored some dark and difficult emotional territory. And it did. I expected pain, helplessness, a sense of loss – all of which the novel delivered. And some of it was beautifully rendered: Winkler’s panic early… Read More “About Grace”
John Birtwhistle’s latest collection of poetry, “in the event”, is an intriguing and eclectic mix; a real pic’n’mix of the traditional and modern, the poetic and the prosaic. It is a ‘something for everyone’ kind of book. Which, in a way, is both a strength and a weakness. There are ‘statement’ pieces – the more… Read More “in the event”
[Spoiler alert, from the start.] There’s a famous quote from Alfred Hitchcock which goes something like: “if you show the audience a gun in Act 1, it has to be fired in Act 3”. Nothing should be superfluous. So when, about mid-way through “Sag Harbor”, Colson Whitehead’s main character references that one day he’ll be… Read More “Sag Harbor”
As my first real foray into the work of Simon Armitage, our Poet Laureate, I had expected fireworks from “Paper Aeroplane”… Unfortunately I found it more ‘Sparkler’ than giant ‘Roman Candle’. Several things struck me about this volume, a collection culled from twenty-one of Armitage’s other books: There didn’t seem to be any consistent ‘voice’… Read More “Paper Aeroplane”
It seems to me that Philip Roth sits squarely within a tradition of great story-telling. I can imagine being in a quiet room with him and then he leans over and says “Let me tell you about this guy I know…” His work is conversational, relaxed; it is unfussy, unpretentious. Yet none of this stops… Read More “Everyman”
I have, in the not too distant past, been less than complimentary about Ernest Hemingway (To Have and Have Not). Undaunted, I decided to try “Men Without Women”, and I confess to be really pleased to have done so. The stories are lean and enigmatic. The medium seems to suit Hemingway’s somewhat ‘punchy’ style, and… Read More “Men Without Women”
It’s my own fault. The cover was plain enough: ‘Winner of the Walter Scott Prize’; ‘Historical fiction at its best’. And I never read historical fiction. So what was I doing with a copy of Benjamin Myers’ “The Gallows Pole”? I mean, really? And early doors my initial fears appeared to be justified. Some the… Read More “The Gallows Pole”
In her poem ‘Dark Looks’, Riley says “So, take me or leave me … or don’t flick and skim to the foot of the page and then get up to go -” – which is precisely what I did do. After all, most of the time I had pretty much no idea what was going… Read More “Selected Poems” – Denise Riley
